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WEAVING SAMPLES


TEXTILE DESIGN - HANDWEAVING




I really value the practice of weaving for its meditative impacts, strategic mathematical thinking, and the unique ways I am able to conduct color theory exploration. The role weaving has in the textile industry is monumental and I am honored to take part in the ancient practice. As a graphic designer I am overwhelmed by the ideas of applications I could incorporate weaving, and the numerous materials I could attempt to use as wefts by example the rainbow synthetic roving and neon tulle in samples above. Weaving is a major catalyst in my passion for furthering my textiles education. 


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Weave Structure: Broken Point Threading 2/2 Twill

Warp: 8/2 Cotton  

Weft: Wool, 3/2 Cotton

Pattern Weft: Wool & Synthetic multicolored roving   


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Weave Structure: Huck

Warp: 3/2 Cotton  

Weft: {By apprearnce from bottom to top} 5/2 Cotton, Synthetic chenille, Multicolored 5/2 mohair, Wool acid dyed by self (yellow-green “hayfield”), Multicolored 8/2 mohair. 


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Weave Structure: Broken Point Threading

Warp: 3/2 Cotton  

Weft: 3/2 Cotton

Pattern Weft:  Neon Tulle


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Weave Structure: Overshot

Warp: 5/2 Cotton  

Tabby Weft: Multicolored Blue Mohair 

Pattern weft: Multicolored Violet Mohair


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Weave Structure: Summer and Winter

Warp: 5/2 Cotton  

Weft: Gradient Cotton

Pattern weft: Chenille